Frietman
I am a webdesigner who's moved from the city to the village.
Frietman
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coverjunkie:

Illustration by Matt Dorfman

Newest cover The New York Times Magazine

New York Times Magazine also carries an ace blog called “The 6th Floor” , a fun read. 

Gail Bichler: Design Director
Kathy Ryan: Director of Photography
Designers: Raul Aguila , Ben Grandgenett and Jason Sfetko 
Design Associate: Audrey Rodriguez
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coverjunkie:

in memory of the plane oot of amsterdam shot down by barbarians. This cover designed by Noma Bar for Vrij Nederland magazine

Editor in chief: Frits van Exter
Adjunct: Robert van der Griend
Art director: Guido van Lier 
Photo editor: Rolf Rosing & Rosetta Senese
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slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
slothsandsequins:

freeasabirdfaraway:

Script Stidies by Christopher Craig

punk-et-disorderly
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cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
cross-connect:

The Exquisite ’ Inner Space ’ Architecture of Matthew Simmonds
” Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.” ( Artodyssey )
From his early childhood, Simmonds was fascinated by stone buildings, an affection that flows into his artworks, where stone architecture is used as a central theme. Particularly the medieval architecture, with its striving to get to a new sophistication of space, comes alive in the marble. Simmonds makes a play of architecture and ornamentation on a small scale, but the spaces created give the same feeling as in the buildings themselves; a place to rest, a place to travel with the eye and maybe find a moment of tranquillity. The marble is opened up, and inside is a space within a building that only exists in the viewer’s mind. What you sense is the significance of space.
Selected and Posted to Cross-Connect by Andrew
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showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
showslow:

This notebook encourages people to draw outside the lines by Marc Thomasset | http://www.tmsprl.com/shop.html
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prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
prettyclever:

Skymetric - Lino Russo

(via étapes)
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worclip:

Snail Desktop Speaker (2013) by Alexander Shevchenko

Desktop speaker system Snail. The principle of this system is passive dispersal reflected sound in the sink along a parabola. It is the almost completely clear sound from reflections that helps the sound become crystal clear and as structurally sharp as the studio acoustic level speakers.
worclip:

Snail Desktop Speaker (2013) by Alexander Shevchenko

Desktop speaker system Snail. The principle of this system is passive dispersal reflected sound in the sink along a parabola. It is the almost completely clear sound from reflections that helps the sound become crystal clear and as structurally sharp as the studio acoustic level speakers.
worclip:

Snail Desktop Speaker (2013) by Alexander Shevchenko

Desktop speaker system Snail. The principle of this system is passive dispersal reflected sound in the sink along a parabola. It is the almost completely clear sound from reflections that helps the sound become crystal clear and as structurally sharp as the studio acoustic level speakers.
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freexcitizen:

xyvch:

Beautiful Rudeness - hand type

I need to try my hand at calligraphy
freexcitizen:

xyvch:

Beautiful Rudeness - hand type

I need to try my hand at calligraphy
freexcitizen:

xyvch:

Beautiful Rudeness - hand type

I need to try my hand at calligraphy
freexcitizen:

xyvch:

Beautiful Rudeness - hand type

I need to try my hand at calligraphy